fig.1 – government (london)
fig.2 – government (bristol)
fig.3 – software (london)
fig.4 – financial services (london)
fig.5 – government (london)
MSP® is part a UK government managed portfolio of Best Management Practices. It has no practical element. 2 levels of Certification are available – Foundation and Practitioner. The higher level certificate (practitioner) expires after five years and so everyone is expected to sit a re-registration exam. Most people do this at the end of a short course to refresh their knowledge of the methodology.
On the 16th and 17th of March 2017, eight people attended a Managing Successful Programmes (MSP®) re-registration course in a commercial building near Liverpool Street Station in London. I was one of them. I had never met my fellow students before the course and I will probably never meet any of them again. We all work for large organisations, working on projects and programmes that will have significant impact on the way our colleagues work.
While one of my fellow students did not wish to have their photograph taken, six (and the trainer) allowed me to take a photograph of them during breaks from studying. Here are five of the resulting portraits.
fiona, from the metropolitan police, who did not want to be photographed
‘Your first assignment is to make five portraits of five different people from your local area who were previously unknown to you.’
– IaP Coursebook, p.35
This is the eleventh assignment I’ve done for the OCA and It has probably the least ambiguous brief yet. But unambiguous doesn’t necessarily mean, easy or simple…
‘You will almost certainly find it challenging to make photographs of people you don’t know; it’s often much easier to photograph somebody you’re already familiar with. This could be referred to as the ‘comfort zone’ – and for the purposes of this assignment you will be specifically required to leave it!’
– IaP Coursebook, p.35
It has never come naturally to me to approach someone I don’t know and ask them if I can take a picture of them and this is probably why I have far more pictures of peeling paint, or dappled shadow or architectural geometry or whatever silting up my hard-drive, than I do of people. Continue reading